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Women in Film, Literature, and the Arts Discussion Series: Dear Committee Members
January 23 @ 12:00 pm - 1:00 pmFree
THE PROFESSIONAL DEVELOPMENT INITIATIVE AND THE ASSOCIATION FOR FACULTY WOLEM PRESENT:
WOMEN IN FILM, LITERATURE, AND THE ARTS DISCUSSION SERIES
Literature Discussion- Dear Committee Members by Julie Schumacher
A special Skype appearance from author: Julie Schumacher
A Special Discussion with:
AG Rud, Distinguished Professor in the College of Education and Rita Rud, former Honors College Clinical Assistant Professor
The Women in Film, Literature, and the Arts Discussion Series is hosted by the Professional Development Initiative (PDI) in partnership with the Association for Faculty Women (AFW) as a means for students, faculty and staff to read a book, watch a film, or attend an exhibit or performance for pleasure, rather than what is assigned for classes. This series contributes to the promotion of a diverse and vibrant intellectual community on campus for those interested in women’s issues. It is designed to create a space for women and men to gather and talk about issues important to women through literature, film, and (visual and performing) art.
Participants: You do not have to be a graduate student or be officially affiliated with AFW to attend the meetings. All WSU students, faculty, and staff who are interested in the series are invited to participate.
All PDI events will be available to sites other than Pullman through a web link that will be emailed to you before the event. Please make sure to register on the link below and indicate at which WSU site you are located.
To register for this event please click on the link below:
About Dear Committee Members
Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can’t catch a break with his brilliant (he thinks) work Accountant in a Bordello, based on Melville’s Bartleby. In short, his life is a tale of woe, and the vehicle this droll and inventive novel uses to tell that tale is a series of hilarious letters of recommendation that Fitger is endlessly called upon by his students and colleagues to produce, each one of which is a small masterpiece of high dudgeon, low spirits, and passive-aggressive strategies.